JORGE SYLVESTER, alto saxophone: Buy
FOLLOWING THE LINE * LIVE IN NEW YORK CITY - DOUBLE CD
- FOLLOWING THE LINE IS MY DOUBLE CD SET DOCUMENTACION OF THE JORGE SYLVESTER QUARTET .
RECORDED LIVE IN NEW YORK CITY at
THE PHOENIX ROOM .
THE MUSICIANS ARE :
JORGE SYLVESTER - ALTO SAXOPHONE ********
MONTE CROFT - VIBRAPHONE ********
JEFF CARNEY - DOUBLE BASS ********
TERREON GULLY - DRUMS *******
AND A SPECIAL APPEARANCE BY PIANIST JAMES HURT ON THE BUD POWELL COMPOSITION WILLOW GROVE ************************************
THE QUARTET PERFORMED
THROUGH THE 1990'S, AND THIS ONE PERFORMANCE IS BURNING ***********!
2 HOURS+ OF NEW MUSIC INCLUDING 2 JAZZ STANDARD'S
THE PERFORMANCE IS EXCELENTE!!!!!!!!!!!
FOLLOW THE LINK TO CD BABY.COM AND CHECK OUT THE SOUND CLIPS***!
WE WILL BE WORKING THIS SUMMER !
IN THE EAR OF THE BEHOLDER /JORGE SYLVESTER AFRO-CARIBBEAN EXPERIMENTAL TRIO - BUY THE ACE TRIO CD
IN THE EAR OF THE BEHOLDER This CD was recorded in the year 2000 , and it defines a CONCEPT that brings together my HERITAGE, my SOUND, SUB-CONSCIOUS, and SOUL .....
This CONCEPT works for all MUSIC .
This CONCEPT works for all MUSIC .
A SMALL DREAM IN RED * VOICE and SAXOPHONE DUET *
A SMALL DREAM IN RED
Nora McCarthy & Jorge Sylvester
By Jim Santella for Jazz Improv, NYC, July 2007
Recorded during a 2003 concert performance in Cleveland State University’s recital hall, this album documents the adventures of a superb, contemporary jazz duo that forges its own trail. You can’t sit back and say that she recalls this or that singer or that he recalls this or that alto saxophonist. They’re both soulful, dramatic and highly original in their intimate recital, which includes two self-penned songs as well as several highly original interpretations. Nora McCarthy sings with an emphatic delivery. She interprets lyrics with fits of passion and relaxes casually with wordless sprees.
The program includes periods of tension mixed with areas of leisurely release. Alto saxophonist Jorge Sylvester brings a virtuosic character to the session, conversing with his musical partner in an equal balance of their two voices. There’s closeness in their duo performance that you don’t find in some ensembles. McCarthy and Sylvester have given a name to their duo, A Small Dream In Red, which amplifies several of the characteristics from their session: dreamy musical interplay mixed with fitful segments of dramatic tension.
Miles Davis’ “All Blues” is one of those standards that we can recognize without even trying. It lovely melody and comfortable rhythm can make for a pleasant afternoon. Here, McCarthy and Sylvester adhere to the song’s familiar waltz pattern while going off on tangents that instill a serious tone. She uses her fluid delivery to jump effortlessly to the highest and lowest regions of her vocal range, while follows her cues in empathy. McCarthy’s Miles Mind” carries a significant impression, as her voice recalls the frailty found in Davis’ horn through the years. Punctuation the piece with vocal and saxophone surges, the duo delivers a thoughtful tribute. Sylvester’s “Akara Moi Moi” swings with a relaxed jazz frame of reference, as wordless vocals combine with soulful alto fun to close the concert on a comfortable note. The two artists combine intuition with a love for their music and it shows.
Nora McCarthy & Jorge Sylvester
By Jim Santella for Jazz Improv, NYC, July 2007
Recorded during a 2003 concert performance in Cleveland State University’s recital hall, this album documents the adventures of a superb, contemporary jazz duo that forges its own trail. You can’t sit back and say that she recalls this or that singer or that he recalls this or that alto saxophonist. They’re both soulful, dramatic and highly original in their intimate recital, which includes two self-penned songs as well as several highly original interpretations. Nora McCarthy sings with an emphatic delivery. She interprets lyrics with fits of passion and relaxes casually with wordless sprees.
The program includes periods of tension mixed with areas of leisurely release. Alto saxophonist Jorge Sylvester brings a virtuosic character to the session, conversing with his musical partner in an equal balance of their two voices. There’s closeness in their duo performance that you don’t find in some ensembles. McCarthy and Sylvester have given a name to their duo, A Small Dream In Red, which amplifies several of the characteristics from their session: dreamy musical interplay mixed with fitful segments of dramatic tension.
Miles Davis’ “All Blues” is one of those standards that we can recognize without even trying. It lovely melody and comfortable rhythm can make for a pleasant afternoon. Here, McCarthy and Sylvester adhere to the song’s familiar waltz pattern while going off on tangents that instill a serious tone. She uses her fluid delivery to jump effortlessly to the highest and lowest regions of her vocal range, while follows her cues in empathy. McCarthy’s Miles Mind” carries a significant impression, as her voice recalls the frailty found in Davis’ horn through the years. Punctuation the piece with vocal and saxophone surges, the duo delivers a thoughtful tribute. Sylvester’s “Akara Moi Moi” swings with a relaxed jazz frame of reference, as wordless vocals combine with soulful alto fun to close the concert on a comfortable note. The two artists combine intuition with a love for their music and it shows.
height="100" alt="album cover" border="0" />NORA MCCARTHY AND JORGE SYLVESTER: A
Small
Dream In Red
"An aural adventure of the highest order."
Avant-Jazz Voice and Saxophone Duet - Original compositions, jazz
standards, improvisational masterpiece recorded live at Cleveland State
University's Sundown Jazz Series.
width="100"